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abandon intrusion and focus perspective of "cavalier perspective,," the established traditions, explores the classical painting inherent creative rationale. Ji Chao believes that regardless of the theory or practice of painting,, the spatial position of the pen and ink drawing of classical charm is one of the two sides, are inseparable peer concept. The study of Chinese painting more focused on pen and ink, too little research on space,, theoretical articles in this area is also less, this phenomenon should pay attention to the industry.At the meeting,, "The Cloud" magazine deputy editor of Shushi Jun translucent technology using computer software to simulate alternating night and day, and put some landscape photos and works full picture is more complicated, as the ethereal simplicity while Magic Ink screen taste ,, to bring viewers a vivid and clear visual experience. Magic is the study of the image than Shushi Jun came to realize.
photography and painting images are contained Taiji diagram two faces of one heritage and Magic potential. Chinese painting blank if not enough clarity,, it will make a fresh sense of the picture, that is the most essential features of Chinese painting weakening. He believes that through the computer software to study painting,, will delve into the actual situation of Chinese painting by Baoyun mechanism to bring a new perspective and space to develop.Finally, the meeting host seminar about the night before at the Longquan Temple to see a comic movie.
Chinese ink painting as a language form,, but also focus on how to further develop the experts discussed. Renmin University of China Professor Chen Chuan seats that "When the ink with the ancient tradition", who put forward the "retro" slogan on the history and put into practice in the art have made great achievements, resulting in a monumental masterpiece. So good painter must truly ancient tradition Xue Daoshou ink, as long as there thinking, living in a new era, a new spirit of the times the performance of traditional practices,, will be able to create a new masterpiece,, has become a new tradition.For this argument, the Central Academy of Fine Arts professor Yuan Baolin said he did not agree: "Chinese painting is only good or bad, did not say about ancient and modern pen ink can not be confined to themselves, but to study the relationship between art pen and ink and some important areas. . "Yuan Baolin stressed ink itself is not independent, but subordinate to the spirit of the times the performance and personalization to create a mood, not here, not just ink fresh ink rules at the level of skill, this routine too much ink We need a viable ink. also special order "Xu Jiang system" and "Lin Wu system" for example, is certainly a positive influence on Western art forms to activate and expand the language of traditional Chinese ink painting arising."Art" magazine executive editor Shang-hui in the analysis and reconstruction of the evolution of the values � f the 20th century Chinese landscape painting,, the introduction of the "schema" concept,, and with the traditional "pen and ink" concept to distinguish,, for example, he shows that the traditional Landscape value judgments that Chirographic viewpoint,, aesthetic value schemata personality is obscured. And Li Keran, Fu Baoshi.
Shi Lu Chirographic other half - light, texture, structure,, space, mood, are the visual forms, indicating that they Chirographic formation process also began to focus on aspects of personality schema. Of course,, Shang Hui also stressed the ink is still very important for schema personality, after all, it is a distinction between painting and aesthetic characteristics of the important aspects of the material,, and only demonstrating aesthetic characteristics of materials in order to explain the schema personality charm.Solutions for the minds of their art painting partyAnhui University Professor Ji Chao pointed out that the current landscape with traditional Chinese landscape painting are very different in space. Why Fan Kuan painting on the high mountains can suddenly look up, and now not only high mountains drawn up,, and often more light farther, and finally disappeared on the horizon. He "Landscape of the Law" Shen Kuo invention of the "Grand small" as the starting point, breaking the Western realistic painting language and deep impact of scientism.
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